About Me
I’m a Digital Media Production graduate, filmmaker, photographer, and storyteller with a passion for creating media that feels real. My experience has taken me from classrooms and broadcasting environments to live events, national productions, and three years of traveling with Drum Corps International.
I spent two years studying Digital Media Production, where I built my foundation in video production, photography, editing, broadcasting, audio, and visual storytelling. School gave me the technical knowledge, but the experiences I’ve had outside the classroom are what really shaped me as a creator.
Over the past three years, I’ve traveled with two different drum corps, working both in front of and behind the camera. Being part of that world has given me a perspective that I don’t think I could have gotten anywhere else. I understand what it feels like to be on the field, to spend long days on the road, and to put everything into a performance. When I’m behind the camera, I’m able to use that experience to capture the emotion, energy, and little moments that make those experiences meaningful.
With the Spartans Drum & Bugle Corps, I worked across multiple seasons creating photo and video content and documenting life on the road. One of the biggest highlights was being part of the media coverage surrounding the Spartans' appearance in the Macy’s Thanksgiving Day Parade. Being able to help document an organization I had traveled with on one of the biggest stages in the country is an experience I’ll always be proud of.
In 2026, I continued my DCI experience with the Boston Crusaders, giving me the opportunity to work with another nationally recognized organization and continue developing my skills in a completely different environment. I also had the opportunity to be around major productions such as the Boston Pops Fireworks Spectacular, further expanding my experience with large-scale live events.
Broadcasting has been another important part of my development. Working in live and broadcast environments taught me how important timing, communication, preparation, and adaptability are. When something happens live, there’s no reset button. You have to be ready, make decisions quickly, and still find a way to tell the story.
More recently, I’ve been building my freelance work with WyldRoad while growing my own small media business. That experience has taught me a different side of the industry. I’m not just creating the content anymore — I’m learning how to work with clients, understand what they need, manage projects, market myself, and turn an idea into something people can actually use.
For my productions, I primarily use the Canon EOS R5 C and R6 Mark II, along with professional lenses, audio, stabilization, and lighting equipment. I enjoy being able to move between different types of work, whether that means filming an event, shooting photography, creating social media content, or putting together a more cinematic project.
I Create…
There’s a sentimental side to why I do all of this that I don’t think I could ever fully put on a résumé.
I’ve always loved film and photography because of their ability to freeze something that can never happen exactly the same way twice. A photograph can bring you back to a place, a video can bring back a feeling, and a well-told story can make you care about a person you’ve never even met. That idea has always fascinated me.
I also have a deep appreciation for the arts in all of their forms and from all over the world. Music, theater, dance, film, photography, visual art, and live performance all have their own languages, but they share the same ability to connect people. Traveling with drum corps has shown me that firsthand. I’ve met people from completely different backgrounds who can come together around a performance and experience the exact same emotion. That is something I want my work to capture.
A lot of that appreciation comes from my family as well. Billy Mosher and his work on Visionaries have been a personal source of inspiration for me. Seeing someone close to my family dedicate their work to documenting people, places, and stories has helped shape the way I think about media. It showed me that a camera can be more than a piece of equipment — it can be a way of preserving experiences, introducing people to worlds they may never see themselves, and giving a voice to stories that deserve to be remembered.
That idea stays with me every time I pick up a camera.
I’ve always felt that I have a natural instinct for finding the moments that other people might overlook — the emotion before a performance, the energy of a crowd, a quick interaction between friends, or a small detail that completely changes the feeling of a scene.
I don’t want to just point a camera at something and record it. I want to figure out what makes that moment matter and find a way to make someone watching it feel like they were there.
That’s what I enjoy most about filmmaking and photography. There’s always another angle to find, another story to uncover, and another way to make something feel bigger than the moment itself.
My experience as a performer has taught me how to recognize emotion. My education has taught me the technical side of production. Broadcasting has taught me how to work under pressure. Traveling with drum corps has taught me discipline and adaptability. Freelancing has taught me how to turn those skills into something people and organizations can actually use.
And my love for the arts is what keeps me wanting to do more.
There is so much art happening everywhere, and I feel incredibly lucky that I get to experience even a small part of it through a camera. Whether I’m documenting a major event, helping a small business grow, capturing a performance, or creating something completely from scratch, I want my work to do more than look good.
I want it to tell a story people remember.
I want someone to look back at a photograph years later and immediately remember how they felt that day. I want a video to make someone feel like they were standing in the room. I want to document the people, performances, places, and cultures that make this world interesting.
For me, filmmaking and photography aren't just skills I've learned.
They're ways of paying attention to the world.
And the more I see, the more I want to capture.
Ready for Your Close-Up?
Tap the button, send the brief, and let’s roll camera on something your audience rewinds twice.